![]() When you started to sketch your initial ideas for the music, where did you go to find your inspiration? Were you watching anything particular, for example? So it felt like family, all of us aiming for the same goal - to help realise Scott’s vision. ![]() Getting to work with folks who took such great care in bringing Walter Tevis’ novel to the screen was inspiring to watch and learn from. They are each among the best in their field, and Along with Scott, I was able to work with editor Michelle Tesoro, and sound supervisor Wylie Stateman, as well as music editor Tom Kramer, all of whom I had collaborated with on Godless. ![]() I have been very fortunate to work with Scott Frank on two previous projects, and it was a very easy decision to have another opportunity to collaborate with such a master storyteller. ![]() How were you brought onto the project? What was it about this show that interested you?
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